Daniil Trifonov intoxicated within the Philharmonic – Muricas News

The ambition of Daniil Trifonov’s seasonal live performance program speaks for itself. Along with piano highlights resembling Schumann’s “C main Fantasy op. 17”, Ravel’s “Gaspard de la nuit” and “Scriabin’s “5. Sonata” with Tchaikovsky’s “Juvenile Album op. 39” and Mozart’s “C minor fantasy KV 475” additionally the small types are thought of. What connects them is the implausible that at this time reveals itself in numerous worlds of sound.

Daniil Trifonov is thought for the shock, for his subjectively coloured readings. The expectations of the virtuoso star, the “phenomenon”, are correspondingly excessive. Admittedly: a really overused phrase, however how would the musical phenomenon of Trifonov, in a daring combination of late Lisztic Abbé and Paganinian satan, be summed up within the first place?

If the earthly circles within the unleashed Scriabin appear far-off, the pianist amazes with sovereign, technical mastery on this night within the Philharmonie. The exalted virtuosity is simply as attribute of him because the stamina to span broad dramaturgical arcs over the live performance night.

In line with his personal assertion, the decisive issue for his understanding of sound was when he was twelve years previous when he encountered Scriabin’s symphonic poem “Le Poème de l’extase”, which was composed similtaneously the fifth Piano Sonata. Thrown down inside just a few days, the latter was born solely from the spirit of the orchestral rating, from whose self-written textual content the composer prefaced his sonata with the motto: “I name you to life, hidden aspirations! / You sunk in darkish depths, / depths of the artistic spirit, / you anxious seeds of life, / I carry you boldness!“

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Along with a very good dose of daring drive, Trifonov’s lyrical passages are not any much less fascinating, and he transforms right into a perfumer straight away within the enraptured introduction. The grand piano now blossoms right into a scent organ, on which the aromas are finely balanced. The wild waters of “Gaspard” opened up a very totally different sound house when the nymph Ondine tries to lure the narrator into her underwater palace within the first piece. Generally cloudy, greenish musty, then freshly glowing, vivid, salty, the end result was such a wildly dissociative sound journey as Arthur Rimbaud portrays in his “Drunken Ship”.

And Trifonov can do much more, as will be seen in Tchaikovsky. With him, the didactically oriented “youngsters’s items” are of a dimension worthy of a live performance corridor. Merging right into a microcosm, every of the 24 miniatures is sensitively profiled. In the meantime, moments of beguiling magnificence under no circumstances flip into decontextualized islands of sound.

Trifonov at all times stays within the move of the musical phrases, the next finds a logical connection to the previous. There isn't a query that we're experiencing one of the vital vital pianists of our time right here. Will probably be fascinating to see what improvement he'll make.